Nicholas Lativy

By The Throat

Part Wild Horses Main On Both Sides kick off proceedings at The Luminaire taking us to another place with flute, drums, sampled birdsong and bells. The crowd sits on the floor meditating as we are pulled into Part Wild Horses’ ritualistic free-jazz. The audience was then asked to stand to let more people in as the next act, Teeth Of The Sea, prepared to begin. Teeth Of The Sea increased the tempo with a kind of prog/punk rock. The drums providing a primal beat on top of which the guitars, keyboard and trumpet created a feedback heavy sonic landscape. Nothing, however, could prepare us for what was to come.

Ben Frost at the Luminaire

Ben Frost took the stage in his bare feet, guitar around his back. As he built the first sounds of the performance he rocks back and forth before his laptop as if charging it with his energy. He then turns his back on the crowd to play guitar before the two massive amps at the back of the stage. The sound is so intense the whole venue is shaking. Glasses slide across the floor and audience members clutch their heads for fear of exploding. The music shakes us and I find myself moving with the beat. The closest reference point I have is the work of Burial et al through some of London’s loudest club sound systems. Between tracks Ben trades remarks with the crowd telling a fellow Scotsman by my side to “just be quiet” and later announcing “here’s the hit single” before commencing a performance of Killshot. The whole of London seems to be crumbling around us as I begin to feel the title By The Throat is incredibly appropriate. Then we start to smell burning. The set continues as smoke pours from one of the monitors. When I get outside I feel like my entire body has been shook to its core. Nothing will ever be the same again.